The Top 50 Gigs of 2014, Part One: 50 – 26

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And so this is list season – and what have you done? At the start of 2014,  I vowed to see more shows than I did in 2013. How’d I go? Well, 2013’s final count was 193. This year? 206! Suck shit, 2013!

A huge thanks to everyone who I rocked a show with, everyone who provided a couch or a floor when needed, all the great bands and artists, all the awesome venues, staff, crew… everyone that makes my escapades possible. I really fucking appreciate it. Let’s see how we go in 2015! Here are the best things I saw in 2014. Were you there? 

– DJY, January 2015

HONOURABLE MENTIONS: The Living End, Anberlin, Fat Guy Wears Mystic Wolf Shirt, Jimmy Eat World, High Tension, Full of Hell, Cakes Da Killa, Bob Log III, Inner Fest, John Mayer, The Julie Ruin, Frightened Rabbit, Basement, Soundwave, Ty Segall, Savages, Fishing.

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50. King Gizzard and the Lizard Wizard @ Oxford Art Factory, 11/12

Two albums, endless touring, more jams kicked out than an army of MC5s… 2014 was yet another wonderful time in the wild, weird world of Australia’s most psyched-out septet. It ended not with a whimper, but with a bong – sorry, bang – and we were better people for it.

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49. Miley Cyrus @ Allphones Arena, 17/10

You know that scene in Shrek where they’re at the information booth and they see the weird puppet show and Donkey says, after a confused beat, “Wow… let’s do that again!”? That was this show. The year’s most bizarre pop gig, as well as its guiltiest pleasure.

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48. Donny Benet @ Brighton Up Bar, 10/10

Suits, synthesizers and the sharpest pop this side of Sydney – that’s Donny Benet. He and his all-star band lead a packed, sweaty room through a guided tour of his latest, Weekend at Donny’s. Besides all that, it was worth the ticket price just to watch Jack Ladder play cowbell.

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47. Hard-Ons @ Manning Bar, 7/6

30 years ago, some brats from Western Sydney made their punk-rock dreams come true. 30 years later, they’re keeping the dream alive – and we, the crusty, screaming masses, are still along for the ride. Bonus points for a scorching set from Cosmic Psychos as a Sydney treat. Fuck yeah.

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46. Wil Wagner @ Newtown Social Club, 29/8

Months before Throw Me in the River was out in the world, the Smithies’ fearless leader lead a sold-out room through some of its highlights; as well as enough old favourites to sing the night away to. A relatively-quiet moment from an artist who made lots of noise in 2014.

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45. Violent Femmes @ Sydney Opera House, 29/12

Do you like American music? We like American music – especially when it’s from a legendary cult folk-rock band making their debut at one of the most iconic venues in the world. A self-titled LP run-through, a two-hour setlist, a bitchin’ drum solo… we like American music best, baby.

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44. Bruno Mars @ Qantas Credit Union Arena, 8/3

Make what you will of his various recorded endeavours. Live, this motherfucker is untouchable. A spotless live band and blistering choreography guaranteed a venue full of arses out of their seats; wiggling until they could wiggle no more. Remember: This is Bruno’s world – y’all are just living in it.

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43. Neko Case @ Sydney Opera House, 3/3

Before she returned to the world of The New Pornographers, Case wrapped touring on the back of her excellent The Worse Things Get LP with a run of dates down under. We laughed (Case and Kelly Hogan’s banter), we cried (a pin-drop “Nearly Midnight”) and we sang (“Man”). Joyous.

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42. La Dispute @ Metro Theatre, 18/6

As long as La Dispute keep coming back to Australia, they’ll continue to serve as a highlight of the year in touring. Not only do they continue to bring exceptional supports – in this instance, Balance and Composure – but they’ve completely justified their progression from basement shows to theatres.

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41. James Vincent McMorrow @ Sydney Opera House, 29/5

He began the year with the release of an out-of-nowhere LP and sold-out Australian shows to back it. His return some months later felt like a victory lap; and despite some clear nerves, the charming Irishman was quick to make the lush surrounds of the concert hall his very own.

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40. Future of the Left @ Factory Theatre, 3/1

The demise of the Annandale could have ruined their return plans, but Falco and his Futuristic friends pressed on in new surrounds and carried on business as usual. For those that don’t know, hilarious banter and wild breakneck post-punk is business – and business is good. Fuck the Annandale, man.

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39. Laneway Festival @ RNA Showgrounds, 31/1

Turns out Brisbane does more than just bitch about the tours they don’t get – they do a pretty decent festival when they put their mind to it. Highlights included the intense Savages and a hip-hop triple-threat to see the night out: Danny Brown, Run the Jewels and Earl Sweatshirt.

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38. Courtney Barnett @ Goodgod Small Club, 18/1

Before Fallon, Glastonbury and whatever other fortunes came her way in 2014, everyone’s mate Courtney Barnett turned the club surrounds of Goodgod into a boot-scooting indie-kid haven. Expect her to play rooms ten times the size in the year to come. Don’t say you weren’t warned, now. She’s earned it.

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37. The Smith Street Band @ Factory Theatre, 24/11

As great, extremely loud and incredibly close those early Smith Street shows were, we’re on a bigger – and, arguably, better – scale. As they edge ever closer to being our best live act, the voices singing back are getting louder. Shows like this prove why that’s a good thing.

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36. Kimbra @ Metro Theatre, 20/11

The Golden Echo wasn’t for everyone, and that’s totally fine. It was never going to be. Her live show, however, remains as flashy and exciting as it did when you first saw it. Not all that glitters is gold – but some of it is. That’s why Kimbra still rules.

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35. Yes I’m Leaving @ Beatdisc Records, 8/11

Broken strings, dodgy amps, awkward pauses – potentially a recipe for disaster. Instead, we got the little rock show that could – shit got loud and shit got wild. It ended with the band piling both their instruments and themselves on top of the drum-kit. Because of course it did.

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34. Outright @ Jura Books, 11/10

The most important band in Australian hardcore right now assembled an A-team of supports – Palmar Grasp, Canine, Family Values – and raised nearly $1500 for victims of rape and domestic violence. To every other band on the scene: THAT’S how you make a difference. Outright, again, lead by example.

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33. Kevin Devine @ Newtown Social Club, 16/11

In the haze of the early Sunday evening, a waif-thin and unassuming figure was singing and playing guitar in Sydney’s inner-west. The only difference was the figure in question was a folk hero of sorts, surrounded by adoring admirers that knew every word to every song. Please be back soon.

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32. Bluejuice @ Metro Theatre, 26/10

It’s so hard to say goodbye sometimes – especially when you’re dancing, screaming, shouting and getting a cheeky crowdsurf in edgeways. Less a funeral and more a celebratory memorial service, Bluejuice ended in style. Special mention to Jake Stone for the ballsiest dive the Metro may have ever seen. God-damn.

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31. Bob Dylan @ State Theatre, 4/9

It ain’t the 60s anymore, kids. As soon as you comprehend that, then and only then will you be able to properly enjoy a modern-day Dylan show. It’s still grand in scale and as entertaining as before, just in a different context. So, how does it feel? Pretty good, actually.

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30. tUnE-yArDs @ Oxford Art Factory, 28/7

The dust had barely settled from Splendour in the Grass when Merrill Garbus and her amazing technicolour band rolled into town for some sideshow action. Nikki Nack was pristinely brought to life, while old favourites still had all the stomp from their original runs. You are doing God’s work, Merrill.

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29. RVIVR @ Monster Mouse Studios, 7/4

There used to be graffiti in the toilets at Black Wire that read “Queer punx rule this town.” Shows like this prove why – in an awesome space, Erica Freas and co. had fists and voices raised as high as the collective spirit in the room. DIY or GTFO.

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28. QOTSA/NIN @ Qantas Credit Union Arena, 6/3

A tour that was quite literally the envy of the rest of the world – two of the biggest names in the last twenty years of rock head-to-head in a co-headlining battle for arena-rock glory. There was blood, sweat, tears and hits for days. Who won? We all fucking did.

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27. The Weekender @ Various Venues, 21-24/8

It’s never not going to be a highlight of the calendar. You come for impeccable company, you stay for the dozens of exceptional bands and then life goes on as normal; while everyone not-so-secretly counts down until we get to do it all over again. Poison City for life, baby!

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26. Something for Kate @ Enmore Theatre, 12/7

Whether you were down from day one or day one thousand, Something for Kate have made an impact on countless music fans in 20 years. This blockbuster set – the biggest show the band have ever headlined in Sydney – was presented as a thank-you. The pleasure was all ours.

***

Check back soon for part two!

PHOTO CREDITS:
50. Provided by the band via Facebook.
49. Mark Metcalfe, Getty Images AsiaPac.
48. Munya Chaora, TheMusic
47. Kristy Wandle, TheMusic
46. Angela Padovan, TheMusic
45. Diabolique Photography, TheMusic
44. Glenn Pokorny, PK Productions/the AU review
43. Wayne Massingham via Flickr
42. Fletcher Crebert, All Ages Concerts
41. Megan Carew, FBi Radio
40. Dan Turner, the AU review
39. Rickford, FasterLouder
38. Sabina Rysnik, the AU review
37. Hayden Nixon, wickeddchildd
36. Ashley Mar, The BRAG
35. ZK Photo
34. Provided by the band via Facebook.
33. Annette Geneva via Flickr
32. Maria de Vera, Life Music Media
31. Erin Rooney, Vinyl Garden
30. Angela Padovan, TheMusic
29. “le maroufle” via YouTube (photo not from show)
28. Jakob de Zwart, Take 40
27. Ian Laidlaw, Beat Magazine
26. Clare Hawley, TheMusic

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INTERVIEW: Bluejuice (AUS), February 2009

The guys from Bluejuice are one of the best bands to interview. I’ve done it a few times over the years and it’s always a treat – they’re great people, a hard-working band with an outstanding sense of humour and a great set of stories. This was my first interaction with them in that regard, being for The Big O festivities (remember that?). This was also why I spoke to Ben Lee around the same time, albeit accidentally.

Like the Owen Pallett chat, this was done via email; so I had next to no control over it beyond the questions. I was very happy with the results, however. This has dated quite well; what with the MySpace references at all. Good times. So, here is a Q & A of sorts with the band’s bassist, Jamie Cibej; as well as their dearly departed keyboard player, Jerry Craib.

– DJY, April 2014

***

2008 has been and gone; how was it in the Bluejuice camp?
Jerry: 2008 was incredible. We played at over 20 festivals, which was a real privilege… for them. Obviously.

Your Homebake 2008 performance was a fucking triumph; has to be said. That must have really been the icing on the cake for you guys, playing on the main stage of such a big Australian festival?
Jamie: Ha ha – a ‘triumph.’ We don’t have triumphs; we have slow, grinding victories, but thank you. It was amazing to play the main stage at Homebake. It was Ned’s last show with the band, which made things a little sad. The intense heat liquefying our genitals also made things a little sad.

How have things gone since Ned’s departure? Newb settling in well?
Jerry: Our new drummer James Hauptmann has settled in better than a moment of unintentional irony in an Australian reality TV show.

Jamie: Ned was a dead weight. He’s currently in Guatemala extorting crop yields from peasant farmers, or something equally shameful. Booooooo! Hissssss! (Hi Ned.)

When are we going to get to hear some new material from you guys?
Jerry: A new single – very soon. An album – in a couple of months. A Christmas album – end of the year. Best Of – fairly soon after that.

The Big O tour is just around the corner. Are you excited about these shows?
Jerry: My work colleague Lorin asks me that question every day. “Are you excited about such and such..?” No Lorin, I’m not. Not usually until it’s the same morning or at least the same week of the event. Premature excitement is a fool’s game. Of course we’re excited. Put your hands in the air, bitches.

How many of the ‘Juice camp actually attended uni? Will any of the shows bring back some old memories?
Jamie: I’m not sure exactly – I think three of us finished Bachelors of Uselessness. I did mine via correspondence, so I have no memories of campus life. I assume all universities are like those in American frathouse comedies from the 1980s. Bikini water fights and such.

I recently interviewed Ben Lee and he hadn’t heard of you guys before. How do you think you’ll introduce yourselves?
Jerry: Who’s Ben Lee? Catchy name.

Jamie: I hear he digs flowers – maybe we’ll bring him a bunch. Plus, Stav and I have both been to India, so maybe we can break the ice by talking about gurus or burning ghats or aloo palak.

After that comes the Bacardi Express tour. What is the band’s stance on that kind of product placement involved with live music?
Jerry: Let me just take a minute from this FasterLouder interview to have sip of my Toby’s Estate coffee and relax in my Wilkhahn office chair.

Jamie: I dunno – it’s not like the music industry is any less obsessed with capitalist whoring than the alcoholic beverage industry. It kind of depends on the manner of the product placement. There have been a few alcohol company events we’ve done which turn out to be poorly-planned, poorly-attended soulless exercises in shameless plugging. But at least this Bacardi thing has a good idea behind it, and as far as I know it’s free for the (overage) kiddies.

Your four top MySpace friends are Dostoevsky, Erik Satie, Captain Planet and Avril. Who would win in a fatal four-way for the title?
Jamie: Everybody knows that Captain Planet doesn’t kill people, so that puts him at a disadvantage. Avril is too frail for mortal combat. I don’t know too much about Satie’s physical condition (when alive), but if his melancholic minimalist tunes are anything to go by, he’d be a pushover. Dostoevsky lived through a mock execution, and was sent to a Siberian prison – I think he’d know how to handle those other sissies.

2012 – A Year in the Front Row. Part One: Jan/Feb/March

So, here’s an idea I had. I go to so many damn shows, why not do a retrospective? Especially considering 2012 was easily my busiest year of gigs ever. So, here is part one of four. It’s a very brief recount of the year that was, but one I was compelled to share. Enjoy! – DJY

JANUARY

With a slew of bands still staying over from the New Year’s festivals, as well as some perfectly timed tours, my first few weeks of January 2012 were insanely busy. Within the first week alone, I’d seen old favourites Bluejuice, Italian skramz band Raein, U.S. hip-hopper Jean Grae, U.K. movers-and-shakers The Jim Jones Revue, pop-punk heroes Tonight Alive (the first of four times I’d see them this year) and mid-teen heroes The Dresden Dolls. An exhausting highlight reel of great, diverse and interesting music hanging around Sydney and Wollongong at the time.

Unfortunately, the only sour note among the lot was Jean – arriving forty minutes late on stage and proceeding to treat her fans like idiots while barely putting any effort into her rapping still ranks highly among my year’s sorest disappointments. Still, you’ve got to take the good with the bad – and, there was so much good to take.

In particular, I point to the Dresden Dolls show at the Enmore Theatre as still one of the best shows I went to this year. For two-and-a-half hours, I partied like it was 2006 and celebrated the reunion of one of my biggest high-school obsessions. Having seen Amanda solo twice before, I already had an idea of what to expect – but bringing drummer Brian Viglione into the mix sent the entire affair to strange new levels. A great one to tick off the bucket list.

Not long after that, I was headed to Melbourne for the first time ever. I had the honour of playing with former A Death in the Family vocalist/guitarist Jamie Hay – eerily enough, on Friday the 13th, the day that AditF had announced their split. He didn’t let the news get in the way of a phenomenal performance, thankfully. The weekend immediately following this show lead to my main purpose of visiting Melbourne – Sugar Mountain.

An awesome initiative from Two Bright Lakes, this night was the first of three times I would see percussive adventurers tUnE-yArDs in this month. Getting to see the delightful Deerhoof and the blistering Thee Oh Sees was the icing on an already delicious cake. The next night at the Corner Hotel, I got to see tUnE-yArDs doing her thing once again. I appreciated a total switch-up of her live set – she even started on the same song that she had closed with the day before, and vice versa! My final time seeing her was a day after returning home, at the Famous Spiegeltent as a part of the 2012 Sydney Festival. I also managed to sneak in a breathtaking set from U.K. chanteuse Beth Orton at City Recital Hall for the Festival, too. Gotta be happy with that.

Onto a far-less cultured festival, the one and only Big Day Out. I only managed to get in a single sideshow this time, but it was more than worth it. Battles shook the foundations of the Metro Theatre like nobody’s business. Having now seen these guys 4 times, I can affirm their status as mind-melting musos that you could watch individually for a set’s entirety and not get bored. That said, their MVP is unquestonably Mr. John Stanier. ‘Tis no man! ‘Tis a drumming machine! Onto the BDO itself: Highlights included the bombastic Kanye headlining set, the world-class rock & roll of Soundgarden, Cage the Elephant and My Chemical Romance and the insane celebratory dance party of Girl Talk. Despite relatively poor ticket sales, BDO was a tonne of fun.

The month finished with a quick visit to Wollongong for day 2 of the Stacked Music Festival. Although I attended almost exclusively for Sydney legends Gay Paris, there were also a few treats thrown in for good measure – local champions The Conspiracy Plan, brattish post-punks Chicks Who Love Guns and the always-delightful folk-rockers The Pennys.

TOP 5:

  1. The Dresden Dolls
  2. tUnE-yArDs
  3. Kanye West
  4. Battles
  5. Jamie Hay

DISHONOURABLE MENTION: Jean Grae, plus the shitty local band that opened for Tonight Alive whose name escapes me.

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FEBRUARY

I was eased into February quite nicely by one of my favourite events in Blood, Sweat and Beers. This show would mark the first of many times I would see positive-thinking pop-rockers Milhouse, as well as sets from Canberran bong-ripping favourites I Exist, Tassie boys Luca Brasi, country bumpkins Wagons and the brilliant Harmony. With Laneway in town, I caught a sideshow for Canadian sensation Leslie Feist, although admittedly I was going almost exclusively for her support in the delightful Mountain Man. These sweet-singing ladies subsequently wiped the floor with Feist herself, who was half-an-hour late on stage and caught up in her own self indulgences too much to make this show worthwhile.

I then returned to my second home of the Annandale Hotel for three shows headlined by Michigan post-hardcore cult heroes La Dispute. These shows were just as inspiring and engaging as the very first time I saw them back in 2009, but for very different reasons. The 2009 shows were inspiring on account of an American band doing a completely D.I.Y. Australian tour that was done out a pure love for what they do as a band.

These shows were inspiring on account of seeing a relatively little-known band playing a very unfriendly style of music managing to pack out the Annandale for three shows with a huge, hungry and wildly boisterous audience. In other words, they’ve more or less arrived in Australia. We also got some fantastic local supports at these shows: Let Me Down Jungleman, Hira Hira (shout out to Jack Wotton for doing double duty!), Perspectives, Between the Devil and the Deep, Making and the late, great Animal Shapes.

Nearing the end of the month, I got to spend some quality time with some of my songwriting heroes – namely, Dan Mangan and Ben Gibbard. The former played a wondrously joyful set at Notes in Newtown, while the latter lead his band (and one of my all-time favourites), Death Cab for Cutie, into a second headlining show at the Enmore Theatre just up the road. Despite an annoying, iPhone-ready audience, I still had a great time at my third Death Cab show.

Sandwiched in-between Dan and DcfC was SoundDave, a DIY all-day festival held at another one of my Sydney “homes,” Black Wire Records, curated by Milhouse/Between the Devil and the Deep bassist/FBi radio personality/all-round heartthrob Dave Drayton. I was a volunteer for the entire day, and was so happy to be involved. Highlights including decidedly bitchin’ sets from Epics, Fat Guy Wears Mystic Wolf Shirt and Surprise Wasp, fronted by Gay Paris bassist Dean “Slim Pickin’s” Podmore. Top stuff.

Although I gave Soundwave a miss, I still managed to wrap up the month with two great “Sidewaves” at the Metro Theatre. The first was the final Sydney show from Thursday, a band that I will gladly admit meant a hell of a lot more to most people in that room than me. I was a late bloomer for Thursday, only really getting into them later in high school. And I was a War All the Time guy, as opposed to a Full Collapse guy, which was the album they were playing in its entirety. Even so, I came out of that show with a mountain of respect for what they accomplished in their time, and it was an honour to be a part of it. Finally getting to see Circa Survive live was also a treat.

A few days later, on a rare February 29th, I got a triple-horned hardcore treat with Enter Shikari, letlive. and Your Demise. Each put on a great set with their own style and energy, but I’d be kidding myself if I wasn’t there to get properly mental to letlive. After discovering them in mid-2011, I vowed that I’d be front row centre as soon as they toured. And so it was – I screamed, I jumped, I climbed on things and I essentially acted all of the ways a 21-year-old really, really shouldn’t. And it was GLORIOUS.

TOP 5:

  1. La Dispute
  2. Dan Mangan
  3. letlive.
  4. Death Cab for Cutie
  5. I Exist

DISHONOURABLE MENTION: Feist. Sorry, babe. Maybe next time.

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MARCH

A pinch, a punch and some motherfucking MASTODON for the first of the month! Don’t mind if I do, thanks. With French destroyers Gojira and Norwegian warriors Kvelertak in tow, my brother Chris and I were treated to one of the most brutal shows I’ve seen all year. This was also the first of three shows at new Sydney venue The Hi-Fi I would attend this month, and all within a few days of one another. The very next day, I saw the delightful Ben Kweller doing his thing, while on the Sunday I’d finally get to see Manchester Orchestra live. Along with my ridiculously similar appearance to Andy Hull, I love all of their albums, especially Mean Everything to Nothing. Watching the band play “Everything to Nothing” live is one of the few gig moments from 2012 where I’ve actually teared up. Truly incredible stuff.

With Future Music Festival in town, I had yet another chance to see Die Antwoord after catching them at both the 2011 Big Day Out and at their show with M.I.A. the very next day, at which they completely blew her off the stage. Here, I found them in the illustrious surrounds of the Enmore, which was decidedly packed full of people from the Zef Side of Sydney. Despite going on late, they put on a truly fantastic show – bounding energy and a seemingly endless supply of bangers.

Next up was a return to Black Wire, to see the hilarious Battle Pope get rowdy along with Fat Guy Wears Mystic Wolf Shirt, The Reverend Jesse Custer and Jesus Christ Posse. Right there is four of my favourite heavy bands in the country, so that was more or less a dream come true. Another festival in March was Golden Plains, and from the cool streets of Portland came the femme-fatale quartet of Wild Flag. Lots of dancing to be had at their show at the Manning Bar with Love of Diagrams and impressive upstarts Unity Floors.

I’ve had the chance to do multiple shows on tours a few times this year, as evidenced back in February with La Dispute. These next two shows would be the first of two times I’d double up on some Children Collide action this year, bringing my grand total to nine times of seeing them live. For what it’s worth, they never let me down. Although the turnout for their Metro Theatre show was abysmal, they packed out the Patch in Wollongong and put on a truly hectic show for all involved.

During the final song, I decided to flip myself off the foldback and into the crowd. Half-expecting to fall to the ground, I ended up being carried all the way to the back of the venue, eventually toppling downward in-front of my bug-eyed sister, who could not believe her baby brother had just crowdsurfed like an absolute champion. Good times. Shout out to the killer supports, Deep Sea Arcade and Palms.

Nearing the end of the month, I was back at Black Wire to see two of my favourite Australian musicians, and people that I’m honoured to count as friends – Jamie Hay and Jen Buxton. I also had the pleasure of meeting Jen’s little dude, Eli. He has the biggest cheeks I’ve ever seen. I showed a world of restraint for not just sinking my teeth directly into them. Don’t tell her I said that, of course.

Oh yeah, I also saw Evanescence. The less said about that, the better. At least Blaqk Audio were pretty good.

TOP 5:

  1. Manchester Orchestra
  2. Mastodon
  3. Die Antwoord
  4. Children Collide
  5. Jamie Hay and Jen Buxton

DISHONOURABLE MENTION: Evanescence. Childhood memories tainted forever by this soulless display of mediocrity.