The Top 50 Gigs of 2014, Part One: 50 – 26

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And so this is list season – and what have you done? At the start of 2014,  I vowed to see more shows than I did in 2013. How’d I go? Well, 2013’s final count was 193. This year? 206! Suck shit, 2013!

A huge thanks to everyone who I rocked a show with, everyone who provided a couch or a floor when needed, all the great bands and artists, all the awesome venues, staff, crew… everyone that makes my escapades possible. I really fucking appreciate it. Let’s see how we go in 2015! Here are the best things I saw in 2014. Were you there? 

– DJY, January 2015

HONOURABLE MENTIONS: The Living End, Anberlin, Fat Guy Wears Mystic Wolf Shirt, Jimmy Eat World, High Tension, Full of Hell, Cakes Da Killa, Bob Log III, Inner Fest, John Mayer, The Julie Ruin, Frightened Rabbit, Basement, Soundwave, Ty Segall, Savages, Fishing.

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50. King Gizzard and the Lizard Wizard @ Oxford Art Factory, 11/12

Two albums, endless touring, more jams kicked out than an army of MC5s… 2014 was yet another wonderful time in the wild, weird world of Australia’s most psyched-out septet. It ended not with a whimper, but with a bong – sorry, bang – and we were better people for it.

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49. Miley Cyrus @ Allphones Arena, 17/10

You know that scene in Shrek where they’re at the information booth and they see the weird puppet show and Donkey says, after a confused beat, “Wow… let’s do that again!”? That was this show. The year’s most bizarre pop gig, as well as its guiltiest pleasure.

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48. Donny Benet @ Brighton Up Bar, 10/10

Suits, synthesizers and the sharpest pop this side of Sydney – that’s Donny Benet. He and his all-star band lead a packed, sweaty room through a guided tour of his latest, Weekend at Donny’s. Besides all that, it was worth the ticket price just to watch Jack Ladder play cowbell.

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47. Hard-Ons @ Manning Bar, 7/6

30 years ago, some brats from Western Sydney made their punk-rock dreams come true. 30 years later, they’re keeping the dream alive – and we, the crusty, screaming masses, are still along for the ride. Bonus points for a scorching set from Cosmic Psychos as a Sydney treat. Fuck yeah.

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46. Wil Wagner @ Newtown Social Club, 29/8

Months before Throw Me in the River was out in the world, the Smithies’ fearless leader lead a sold-out room through some of its highlights; as well as enough old favourites to sing the night away to. A relatively-quiet moment from an artist who made lots of noise in 2014.

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45. Violent Femmes @ Sydney Opera House, 29/12

Do you like American music? We like American music – especially when it’s from a legendary cult folk-rock band making their debut at one of the most iconic venues in the world. A self-titled LP run-through, a two-hour setlist, a bitchin’ drum solo… we like American music best, baby.

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44. Bruno Mars @ Qantas Credit Union Arena, 8/3

Make what you will of his various recorded endeavours. Live, this motherfucker is untouchable. A spotless live band and blistering choreography guaranteed a venue full of arses out of their seats; wiggling until they could wiggle no more. Remember: This is Bruno’s world – y’all are just living in it.

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43. Neko Case @ Sydney Opera House, 3/3

Before she returned to the world of The New Pornographers, Case wrapped touring on the back of her excellent The Worse Things Get LP with a run of dates down under. We laughed (Case and Kelly Hogan’s banter), we cried (a pin-drop “Nearly Midnight”) and we sang (“Man”). Joyous.

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42. La Dispute @ Metro Theatre, 18/6

As long as La Dispute keep coming back to Australia, they’ll continue to serve as a highlight of the year in touring. Not only do they continue to bring exceptional supports – in this instance, Balance and Composure – but they’ve completely justified their progression from basement shows to theatres.

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41. James Vincent McMorrow @ Sydney Opera House, 29/5

He began the year with the release of an out-of-nowhere LP and sold-out Australian shows to back it. His return some months later felt like a victory lap; and despite some clear nerves, the charming Irishman was quick to make the lush surrounds of the concert hall his very own.

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40. Future of the Left @ Factory Theatre, 3/1

The demise of the Annandale could have ruined their return plans, but Falco and his Futuristic friends pressed on in new surrounds and carried on business as usual. For those that don’t know, hilarious banter and wild breakneck post-punk is business – and business is good. Fuck the Annandale, man.

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39. Laneway Festival @ RNA Showgrounds, 31/1

Turns out Brisbane does more than just bitch about the tours they don’t get – they do a pretty decent festival when they put their mind to it. Highlights included the intense Savages and a hip-hop triple-threat to see the night out: Danny Brown, Run the Jewels and Earl Sweatshirt.

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38. Courtney Barnett @ Goodgod Small Club, 18/1

Before Fallon, Glastonbury and whatever other fortunes came her way in 2014, everyone’s mate Courtney Barnett turned the club surrounds of Goodgod into a boot-scooting indie-kid haven. Expect her to play rooms ten times the size in the year to come. Don’t say you weren’t warned, now. She’s earned it.

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37. The Smith Street Band @ Factory Theatre, 24/11

As great, extremely loud and incredibly close those early Smith Street shows were, we’re on a bigger – and, arguably, better – scale. As they edge ever closer to being our best live act, the voices singing back are getting louder. Shows like this prove why that’s a good thing.

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36. Kimbra @ Metro Theatre, 20/11

The Golden Echo wasn’t for everyone, and that’s totally fine. It was never going to be. Her live show, however, remains as flashy and exciting as it did when you first saw it. Not all that glitters is gold – but some of it is. That’s why Kimbra still rules.

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35. Yes I’m Leaving @ Beatdisc Records, 8/11

Broken strings, dodgy amps, awkward pauses – potentially a recipe for disaster. Instead, we got the little rock show that could – shit got loud and shit got wild. It ended with the band piling both their instruments and themselves on top of the drum-kit. Because of course it did.

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34. Outright @ Jura Books, 11/10

The most important band in Australian hardcore right now assembled an A-team of supports – Palmar Grasp, Canine, Family Values – and raised nearly $1500 for victims of rape and domestic violence. To every other band on the scene: THAT’S how you make a difference. Outright, again, lead by example.

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33. Kevin Devine @ Newtown Social Club, 16/11

In the haze of the early Sunday evening, a waif-thin and unassuming figure was singing and playing guitar in Sydney’s inner-west. The only difference was the figure in question was a folk hero of sorts, surrounded by adoring admirers that knew every word to every song. Please be back soon.

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32. Bluejuice @ Metro Theatre, 26/10

It’s so hard to say goodbye sometimes – especially when you’re dancing, screaming, shouting and getting a cheeky crowdsurf in edgeways. Less a funeral and more a celebratory memorial service, Bluejuice ended in style. Special mention to Jake Stone for the ballsiest dive the Metro may have ever seen. God-damn.

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31. Bob Dylan @ State Theatre, 4/9

It ain’t the 60s anymore, kids. As soon as you comprehend that, then and only then will you be able to properly enjoy a modern-day Dylan show. It’s still grand in scale and as entertaining as before, just in a different context. So, how does it feel? Pretty good, actually.

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30. tUnE-yArDs @ Oxford Art Factory, 28/7

The dust had barely settled from Splendour in the Grass when Merrill Garbus and her amazing technicolour band rolled into town for some sideshow action. Nikki Nack was pristinely brought to life, while old favourites still had all the stomp from their original runs. You are doing God’s work, Merrill.

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29. RVIVR @ Monster Mouse Studios, 7/4

There used to be graffiti in the toilets at Black Wire that read “Queer punx rule this town.” Shows like this prove why – in an awesome space, Erica Freas and co. had fists and voices raised as high as the collective spirit in the room. DIY or GTFO.

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28. QOTSA/NIN @ Qantas Credit Union Arena, 6/3

A tour that was quite literally the envy of the rest of the world – two of the biggest names in the last twenty years of rock head-to-head in a co-headlining battle for arena-rock glory. There was blood, sweat, tears and hits for days. Who won? We all fucking did.

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27. The Weekender @ Various Venues, 21-24/8

It’s never not going to be a highlight of the calendar. You come for impeccable company, you stay for the dozens of exceptional bands and then life goes on as normal; while everyone not-so-secretly counts down until we get to do it all over again. Poison City for life, baby!

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26. Something for Kate @ Enmore Theatre, 12/7

Whether you were down from day one or day one thousand, Something for Kate have made an impact on countless music fans in 20 years. This blockbuster set – the biggest show the band have ever headlined in Sydney – was presented as a thank-you. The pleasure was all ours.

***

Check back soon for part two!

PHOTO CREDITS:
50. Provided by the band via Facebook.
49. Mark Metcalfe, Getty Images AsiaPac.
48. Munya Chaora, TheMusic
47. Kristy Wandle, TheMusic
46. Angela Padovan, TheMusic
45. Diabolique Photography, TheMusic
44. Glenn Pokorny, PK Productions/the AU review
43. Wayne Massingham via Flickr
42. Fletcher Crebert, All Ages Concerts
41. Megan Carew, FBi Radio
40. Dan Turner, the AU review
39. Rickford, FasterLouder
38. Sabina Rysnik, the AU review
37. Hayden Nixon, wickeddchildd
36. Ashley Mar, The BRAG
35. ZK Photo
34. Provided by the band via Facebook.
33. Annette Geneva via Flickr
32. Maria de Vera, Life Music Media
31. Erin Rooney, Vinyl Garden
30. Angela Padovan, TheMusic
29. “le maroufle” via YouTube (photo not from show)
28. Jakob de Zwart, Take 40
27. Ian Laidlaw, Beat Magazine
26. Clare Hawley, TheMusic

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2012 – A Year in the Front Row. Part Two: April/May/June

Jan // Feb // Mar
Jul // Aug // Sep

APRIL

It’s somewhat fitting that I saw Hands Like Houses play a show on April Fool’s Day. Despite international acclaim and touring, they proved to be one of the most lifeless and uninspired bands I’ve seen live this year. What a joke. Still, at least I got to see Sound of Seasons tear it up at that show. Great live act, those kids. Onto the gorgeous surrounds of the Enmore, where I was fortunate enough to see ska legends The Specials tear the joint a new one. This was honestly one of the most energetic shows I went to in all of 2012 – I had no idea things would get this wild! For nearly two hours a solid crowd of roughly 1500, the band tore through their classics with all the energy and vitality that came with their release some thirty years ago. What a treat, what an honour. Definitely a major year highlight.

Milhouse launched their debut seven-inch in style, with a show at the venue they’re practically the house band of now: Black Wire Records. A very fun night indeed. The very next day, I had the chance of doubling up on a tour yet again – this time, twice in one day. Brisbane brats Bleeding Knees Club were playing in the afternoon in Sydney before playing that night in Wollongong. While it was fun to watch some kids going completely mental at what was quite possibly their first gig, the Gong show was something else entirely. Shit got decidedly loose, especially when local legend Jack Reilly got on stage with the boys to tear through a blink-182 cover. Oh, what a night!

With the Dig It Up! Festival in town, I had the chance to see the legendary Redd Kross play their cracking debut album, Born Innocent, in its entirety. While the Oxford Art Factory isn’t usually a great rock venue, this was the perfect room for these guys to thrash through the album and bring to life their wild younger years. Getting to press the flesh with the legendary Steve McDonald was also a total honour. A few days later, I was back at the same venue to see Brissie ex-pats An Horse play a rare Sydney show. A great audience and some top-shelf songs – wish these guys came back more often. Finally, I wrapped up the month with a show at Yours & Owls, which you’ll be hearing plenty more of later in the year. Here, I got to check out the frighteningly good Adelaide crew Night Hag grind to their heart’s content, with ample support from The Reverend Jesse Custer and Endeavours. Good times.

TOP 5:

  1. The Specials
  2. Redd Kross
  3. An Horse
  4. Bleeding Knees Club
  5. Night Hag

DISHONOURABLE MENTION: Hands Like Houses. For all the hype, potentially the blandest band in all the land.

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MAY

Holy fuck. What a heavyweight month this was! Aside from maybe November, I can’t think of another period where I saw such incredible music being performed at such a consistent rate. An exhausting, exhilarating and life-affirming time in 2012. I kicked things off by farewelling The Butterfly Effect‘s vocalist, Clint Boge, with their final Sydney show with him at the UNSW Roundhouse. I’ll be the first to admit how daggy this lot can be, but I decided early on that I’d get there early, get the barrier and party like it was 2006. What a fun show this was, a complete nostalgia trip and a great send-off to a band that genuinely meant the world to me back in my mid-teens. Excellent fun, probably more than I should be admitting.

The next night saw me regain some of my “cred” by attending a packed-out show from the wonderful Frank Turner. In support was folk-punk’s first lady Jen Buxton, your new favourite punks The Smith Street Band and the jolly travelling bluesman William Elliott Whitmore. All four acts put on sets that superlatives simply cannot do justice to. It was a night to celebrate the arrival, if you will, of Frank. After selling out Wembley, he came to Australia with high spirits and an arsenal of anthems spanning all four of his albums. This man is honestly one of the reasons why I make music, so it truly was an honour to watch him bring his fervent folk-punk energy to the Manning Bar. You had to be there to get it.

Groovin’ the Moo – bit of a rubbish festival, but they bring the goods every now and then. Case in point: City and Colour & Wavves, who both put on great shows in Sydney. Having never seen C&C as a live band, it was quite fulfilling to hear so many tracks that I’ve loved over the years come to life so classily. Dallas is a great performer, understated and charming. I really appreciated the fact he asked everyone to put away their camera phones – one of my biggest vices at shows, so it was nice to get a break from it, however momentary. Although a totally different style of performer, Nathan Williams (aka Wavves) put on a cracking hour set at the Oxford Art Factory. All the best tracks from his own arsenal, plus a Sonic Youth cover (100%) and some gut-bustingly funny inside jokes made this a super-fun show.

Nearing the end of the month meant shit got increasingly more real. And it doesn’t get more freakin’ real than Prince. Holy shit, this was a spectacle and a half. To walk in and see the Allphones turned into a house of purple – complete with a stage shaped like Prince’s symbol – was breathtaking enough. Then, he decides to make things even more insane by OPENING with a fifteen-minute version of Purple Rain. Read again: OPENING with that. Where do you go from there, exactly? Pretty simple: Hit after hit after hit. This was a joyous, funky thing to be a part of; and I’m so glad I got that chance. Truly memorable stuff right there.

Following on from that, I got to see two long-time live favourites across two consecutive nights at the Patch – Dead Letter Circus and Tonight Alive. The former brought a meaty, volatile crowd with them; which was to be expected, really. Thankfully, I had myself a nice spot on the corner of the front row, tucked away and just enjoying their groovy tunes. Great live act, only getting better. As for Tonight Alive, this was the start of a pretty special run of shows with those guys – one show in Wollongong and two shows in Sydney, as a part of their final Australian tour for the year.

I always love these shows, if anything just for the company that comes with them and the incredible circle of people I’ve met through the band and its fans. It gets better, however: My boys in Totally Unicorn were the opening act, which meant that they got to terrorise a bunch of unsuspecting pop-punk kids and blow their freakin’ minds. All three shows had their good points, but the highlight of the bunch was easily the all-ages show at the Factory Theatre. There’s just something about AA Tonight Alive shows that have such an unshakable energy to them. The crowd is always mental, the kids up the front know the score and we can all go mental in unison. I usually have a pretty low tolerance level of AA crowds, but this was totally fine. In fact, it enhanced the experience.

May ended with not so much a bang as an absolute freak explosion. Two words: Janelle. Monae. Friends from across the country came out for this one, as the petite dynamo turned the Opera House concert hall into a next-level party. I can’t begin to tell you how much I needed this fucking show. After admiring Janelle for over two years, it was a complete thrill to finally get the chance to see her and her electric band do their thing, playing songs that still meant the absolute world to me like they did when they first came out. All roads truly felt like they lead to this very show. I can’t really give you much more detail than that. It was out of this world. Amazing. Life-changing. Pretty damn sure this was the one. As awesome as the rest of the year was, nothing quite compared to this night, these songs and this moment in time.

TOP 5:

  1. Janelle Monae
  2. Prince
  3. Frank Turner
  4. The Butterfly Effect
  5. Tonight Alive

DISHONOURABLE MENTION: Young Guns, the main support for Tonight Alive. Sorry, lads; you seemed lovely but you were trying to do an arena show to an audience of about 50 people and it really didn’t work in your favour.

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JUNE

By contast, June was actually one of my quietest gig months. Not that it was a barren wasteland or anything, but I felt like a senior citizen compared to my frequent travels of the month prior. Even so, I probably needed the break more than I was willing to admit. I eased back into gigging post-Janelle (or PJ, as I so measure my life these days) with a small gig at Goodgod, one of my favourite new Sydney venues. My chums in Mrs. Bishop were launching a new single, and it was great to catch up with them and bask in their cooing harmonies. The week after, I bid farewell to an old mate in Trial Kennedy, who decided to notch up the nostalgia factor a little extra by adding After the Fall to the line-up. Getting in one last sing-along to Damage on Parade was a year highlight, as was the chance to FINALLY hear Mississippi Burn live; which is my all-time favourite TK song.

After having a ball (pardon the pun) at her last show in 2010, there was no way I was going to miss Lady Gaga on her Born This Way Ball tour. Although I wasn’t as big a fan of BTW as I was of her previous efforts, this was still an absolutely awesome show, full of wonder and big pop sing-alongs – which, if you know me well enough, are pretty much my bread and butter. The thing I love about big-arse pop shows like this one are that, even if it’s only for just a couple of hours, you can escape from whatever’s going on in your life and dive headfirst into a whole new world, Aladdin style. Gaga is a great entertainer and someone who can keep up energy levels like few others can. It’s truly a sight to see. Put aside your doubts and try it out sometime.

The end of the month came quickly, with two more shows before it was done. First was a trip all the way out to Epping, where I ended up at a cafe called Pablo’s in order to see my dear buddies in Collarbones and Fishing; as well as Dappled Cities side-project Swimwear. This was put on by The Gate, aka Joe Hardy, who puts in great efforts to bring great original live music to unconventional places. The show was an absolute treat for the senses, squishing in with a stack of other music lovers to soak up some glitchy goodness. You KNOW a show’s gone well when it ends with an en-masse sing-along to Jenny From the Block. Finally, there was my dear old buddy Jonathan Boulet, hitting the big time with his largest hometown show ever at the Metro Theatre. Having followed his work for years across all of his projects, to see this show go so well was a big thing for me. Jono continues to amaze and inspire with his work, and his live shows (starring his remarkably handsome band) are no exception. Good times!

TOP 5:

  1. Lady Gaga
  2. Trial Kennedy
  3. Jonathan Boulet
  4. Fishing
  5. Mrs Bishop

DISHONOURABLE MENTION: None! Everyone ruled! How good is that?